Poet Jane Hirshfield said "... the feeling I have about poem-writing (is) that it is always an exploration, of discovering something I didn't already know.  Who I am shifts from moment to moment, year to year.  What I can perceive does as well.  A new poem peers into mystery, into whatever lies just beyond the edge of knowable ground."

I bring a different poem to the writing classes each week, not only to inspire but to introduce new poets to the group members.

Words by Dana Gioia

The world does not need words. It articulates itself
in sunlight, leaves, and shadows. The stones on the path
are no less real for lying uncatalogued and uncounted.
The fluent leaves speak only the dialect of pure being.
The kiss is still fully itself though no words were spoken.

And one word transforms it into something less or other –
illicit, chaste, perfunctory, conjugal, covert. 
Even calling it a kiss betrays the fluster of hands
glancing the skin or gripping a shoulder, the slow
arching of neck or knee, the silent touching of tongues.

Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper –
metamorphic quartz, cousin to the flint the Kiowa 
carved as arrowheads. To name is to know and remember.

The sunlight needs no praise piercing the rainclouds,
painting the rocks and leaves with light, then dissolving
each lucent droplet back into the clouds that engendered it.
The daylight needs no praise, and so we praise it always –
greater than ourselves and all the airy words we summon.

~ from Interrogations At Noon (Graywolf Press, 2001)


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